Ally's #24: Prince Caspian by C.S. Lewis

Of the four books I've read of the Chronicles series thus far, I think Prince Caspian might be my least favorite. I was not particularly taken by the story line, but it was sweet to see Narnia restored to life and freedom at the end. Even after a lengthy time of suppression under the tyrant and usurper, King Miraz, a remnant of Aslan's people remained. Because of the propaganda spread under King Miraz, Aslan and the four ancient rulers (Peter, Susan, Edmund, and Lucy) had nearly mythical status. Many of the talking animals returned to their primitive ways, losing their ability to speak and their moral compass.

Though the odds of waging a winning war against King Miraz was unlikely, the Narnians, under the leadership of Prince Caspian and High King Peter, gave it all they had. My favorite character, Reepicheep, probably suffered the most wounds in the battle. Not only was he fearless and faithful, but an incredibly honorable soul.

I'll close with a fun passage about the well-rounded education Prince Caspian received when being groomed to take the throne:

He learned sword-fighting and riding, swimming and diving, how to shoot with the bow and play on the recorder and the theorbo, how to hunt the stag and cut him up when he was dead, besides Cosmography, Rhetoric, Heraldry, Versification, and of course History, with a little Law, Physics, Alchemy, and Astronomy. Of Magic he learned only the theory, for Doctor Cornelius said the practical part was not proper study for princes.

Ally's #23: The Horse and His Boy by C.S. Lewis

While the last book I read closely followed Lucy, Edmund, Susan, and Peter on their path to their thrones at Cair Paravel, The Horse and His Boy follows another youngster's path to his rightful place on the throne in Archenland. Shasta, through a lengthy escape to Narnia with two talking horses and a young Calormene princess, learns what it means to be a man and a leader, with him becoming King Cor on the final page of the story.

Rather than fuss through the plot, I'll just comment quickly on a particular lesson that struck me towards the end of the book.

"Worry about yourself."

This is a phrase I heard a lot growing up. If my brothers or I sensed punishment was on the horizon, we were quick to direct our parents' attention to the injustices of each others behavior. In response, they would tell us to worry about ourselves and to take what comes to us without trying to distract or shift blame. Twice, Aslan gives characters insight into his dealings with them and brings clarification to past events. When Shasta and Aravis each begin questioning how others fit into their stories, Aslan replies,

"Child, I am telling you your story, not hers. I tell no one any story but his own."

This is a good reminder to me that if I am running my race as to receive my prize (1 Cor 9:24), then I have to keep my eyes on the finish line. If I look to my right or to my left to see how the other runners are faring, I lose my speed and my focus is shot. Comparing is a no-no, and rather than trying to distract myself from my own sin by focusing on the sin of others, I need to walk as though I have blinders on, keeping the critical focus inward when I feel tempted to lift myself up by looking down on those around me.

It's amazing the conviction God can bring through a children's story :)

Ally's #22: The Lion, the Witch and the Wardrobe by C.S. Lewis

The first book in Lewis' series ends with Professor Kirke (Digory all grown up) fashioning a wardrobe out of the tree that sprang up from the seeds of magical fruit he brought back from Narnia to heal his mother. Lewis is playfully suggestive as to the magical properties of the wardrobe, and the story line meshes perfectly with the next book in the series. There, we meet the four siblings who are to be future Kings and Queens of Narnia: Lucy, Edmund, Susan, and Peter.

What I love about this book is getting to see the fulfillment of prophecy. The Narnians were expectant and hopeful, while the White Witch trembled at the thought of Aslan returning to Narnia, thus losing her grip on her throne. The White Witch thought she could derail the prophecy and create a future centered on her evil by getting to the Sons of Adam and Daughters of Eve before Aslan, but even that could not stop what was to be. Even Edmund's outright betrayal for the sake of his own pride and self-advancement could not undo the plan Aslan set into place long before the four children found their way into Narnia. Though Edmund's life rightfully belonged to the White Witch for his betrayal and sin, Aslan was willing to take Edmund's place under the blade of her knife to see the prophecy fulfilled and to satisfy the Deep Magic that was set in place since Aslan first breathed life into the world. What the White Witch didn't know is that Aslan could neither be defeated by evil nor death.

I suppose the only person with the right to call Lewis out on plagiarism is God himself. Lewis certainly did not conjure up this story of redemption on his own. He writes it beautifully. I wonder how non-Christians react to this story when they read it. I wonder if it reminds them of what Jesus did on the cross--if they've ever heard of him, that is. I wonder if this story has helped children to grow up and to receive the gospel because they knew and loved Aslan and wished he was more than just a fictional character. I wonder...

Ally's #21: The Magician's Nephew by C.S. Lewis

I think this is the third time I've read through this series, and it never gets old. Sadly, I was not introduced to any of C.S. Lewis' writings until well into adulthood. Here's making up for lost time! I'm pretty sure this series has been thoroughly reviewed on this blog before, so I'll just quickly share my favorite tid-bits.

First, I'm surprised that The Magician's Nephew was not made into a movie. Perhaps my favorite scene--the one where Aslan's song brings life to the nothingness--would have been too great a challenge to reproduce. It would've been a delight to see Aslan touching noses with the pairs of animals he had chosen for his inner circle. I also would've enjoyed seeing the animals trying to figure out Uncle Andrew...burying him, watering him, and finally pelting him with forest cuisine. Goodness knows he deserved that and a great deal more.

I enjoyed the comparing and contrasting between Empress Jardis (the Witch) and Uncle Andrew. The world revolves around them, and they expect all those in their presence to acquiesce to their bidding. Part of me wishes the Witch would've been left in the Wood between the Worlds, where her powers were diminished. A nice, long time-out there would've done her some good.

The playfulness of Lewis' writing is incredibly charming. I appreciate, however, the way in which he is able to cast a serious, awe-filled atmosphere around Aslan's character. Like when Aslan confronts Digory about how the Witch happened to find her way into Narnia--I could picture the shame Digory felt...the kind that makes your heart beat rapidly as you feel all the blood in your body suddenly rush to your head.

When the other reading I'm doing gets to heavy, it's nice to know that I can come back to this series, give my mind a break, and give my heart a boost.

I'll close with my favorite quote:

Now the trouble about trying to make yourself stupider than you really are is that you very often succeed.

Ally's #20 Mary Slessor of Calabar--Pioneer Missionary by W.P. Livingstone

In perusing the free books available on my Kindle, I came across a number of missionary biographies. I had not heard of Mary Slessor, but the term "pioneer missionary" gripped my attention. This 364 page account of Mary's life in Africa is incredibly thorough...perhaps a bit too thorough for my taste, but very compelling nonetheless.

To begin, the author touches on Mary's childhood in Scotland and the influence her mother had on her spiritually. At a tender age, Mary had to work to help support her family, and in her spare time, she poured herself into ministering to the community around her. She was gifted in teaching and evangelism and would make the rounds, gathering children up from their beds for Sunday school. She was an endearing and irresistible  combination of tenderness, sympathy, sincerity, and ruggedness. I greatly enjoyed seeing how God shaped, stretched, and prepared Mary for the mission field of West Africa.

During her mid-20s, Mary was "thrilled into action" by the death of Dr. Livingstone, famed explorer and pioneer medical missionary to Africa. In May of 1875, she applied to serve in the region of Calabar (modern day Nigeria) with the Foreign Missions Board. She was accepted and adjusted well to Africa, her first few years being a time of mentorship under the guidance of a small group of seasoned missionaries. But rather than cling to the relative comfort and security of an established missionary compound, Mary desired to venture out, as the Apostle Paul did, to regions where Christ had not been named.

It took some coaxing, but Mary was eventually granted permission to travel deep into the bush, or as Joseph Conrad may have called it, into the "Heart of Darkness." In this place, revenge killings were commonplace, young girls were promised in marriage to older men and lived in harems, ritual killings were performed in honor of the dead, twins didn't survive long after birth and their mothers were shunned because they were a bad omen, people were highly superstitious, and those accused of wrongdoing had to prove themselves innocent by drinking poison or submitting to being burned with boiling oil. Mary's goal was not to "Westernize" this group of "savages," but to show them the importance of life because of the value God places on it.

As a white woman, Mary was an object of fascination and constant attention. Ironically, because she was a woman, she did not pose an immediate threat to the male leadership (i.e. they didn't feel the need to place her head on a stake); however, she won many a battle and inched her way to a place of heavy influence in her village. It was remarkable to see how God used this little Scottish woman to defend the weak and to change deadly traditions that had been practiced for centuries.

As Mary moved deeper into uncharted territory, she saw great need and repeatedly made requests for workers to come out into the harvest. Sadly, her request was not honored until she finally went home to her Father in heaven. It was depressing to read that while the members of the church were unwilling to come work shoulder-to-shoulder with Mary, it was her death, like Livingstone's, that inspired action. These words were among the saddest in this account:

Over the vast, sun-smitten land she wept, as her Master wept over the great city of old, and she did what she could do--no woman could have done more--to redeem its people, and sought, year in, year out, to make the Church rise to the height of its wonderful opportunity--in vain. She knew, however, that the presentation of startling facts and figures alone would never rouse it to action; these might touch the conscience for a moment, but the only thing that would awaken interest and keep it active and militant would be a revival of love for Christ in the hearts of the people; and it was for this she prayed and agonized most of all.

I believe the author, W.P. Livingstone, utilized a large collection of Mary's letters to piece together the history of her experiences in Africa. He left out no details. I would've appreciated it if he had been more selective in the stories he included, as I began to feel myself starting to skim halfway through the book. It's not that the stories weren't interesting--they were just repetitive. One other criticism I have of the book relates to the manner in which the tribes Mary served were spoken of. This book can be rather politically incorrect at times, and has a noticeable condescending tone towards 19th century Africans.

All in all, I'd recommend this book to anyone interested in pioneers missions and/or women serving in the mission field. If you think Elisabeth Elliot is awesome, then Mary Slessor will knock your socks off. God used her in some truly amazing ways to impact the western region of Africa for His glory.

 

Ally's #19: Mozart's Sister by Nancy Moser

Last week, I was in the mood for a quick, easy read as a break from some heavier reading. This fun, historically-based novel did the trick. The author got much of her material from letters the Mozart family wrote and cataloged over roughly two decades of travel and performing. As a young child, I was greatly influenced by the love for classical music held by my great-grandfather, grandfather, and mother. When I got my first stereo in 4th grade, I listened to tapes of classical giants, like Mozart and Chopin, as well as contemporary geniuses, like New Kids on the Block, Boys II Men, and Mariah Carey. For all of my learning and interest, I never realized that Mozart had a sister...or that he was a self-absorbed jerk. The renown of some tends to separate them in the public eye beyond the bounds of average human life: having a family, having a childhood, being a jerk, and so on.

Even in a book told from the point of view of his sister, Nannerl Mozart, little Wolfie (Wolfgang Amadeus) overshadows her. As a precocious five-year-old, Wolfie is tender-hearted, a little outspoken, and leaps into the laps of royalty for hugs after his performances. As he grew in age, he grew in talent--sadly, he did not grow as much in maturity. For years, his well-meaning and extremely proud father, Leopold, told Wolfie he was "God's gift to music." One can only go so long hearing such things before believing it, internalizing, and living it out in one's actions and words.

Nannerl was Wolfie's elder by six years, and though believed to be equal in talent to Mozart, was not regarded or groomed as such by her father. It seems her talents were not considered as impressive because she was older and because she was a girl. Rather than being encouraged to compose like her brother, she was told that she needed to spend her time practicing. Her practice, however, was not always rewarded with opportunities to showcase her talents at concerts. As children, she and Wolfie would perform duets, but as adolescents, Nannerl was left at home while her brother and father toured. The excuse was that it was too costly for the family of four to travel.

Much of the Mozart story revolves around money--or the lack of it. Leopold was forever preoccupied with sharing his son's musical genius with the world, providing for his family, and securing a permanent, paid position for Wolfie. He sacrificed much, was indefatigable, and burned some important bridges along the way. Nannerl and her mother were also expected to sacrifice much. Wolfie seemed very unaware of what sacrifices were made on his account and went into adulthood unwilling to make any sacrifices in return. Perhaps the saddest part of the story was when Nannerl, the aging woman with few prospects of marrying, was denied the opportunity to become the wife of a man she truly loved because Wolfie pissed off her fiancees boss. It would be challenging to forgive a brother who did something like that.

If you're looking for something more meaningful than a romance novel but not super challenging intellectually, give this book a shot. Be prepared for whatever good impressions you had of Mozart to be ruined with reality.

**Sorry there's no book image...I tried ten times and it's just not working.